Tag: illustration

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The Sacrifice of the Worker to the Banks

Browsing through Great Drawings and Illustrations from Punch, I was quite taken by the powerful image from 1844 called: “The Game Laws; or the sacrifice of the Peasant to the Hare.” The image of a scrawny rabbit on a pedestal, glaring with new found power down at the bound peasant on his knees is eerie; while the pompous aristocrat, bearing a sword emblazoned ‘according to law’ is either preparing to strike off the peasant’s head or to give him clemency…his disinterest in the outcome being completely obvious.

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Comité de salut public: Monsieur, it's time to go!

Portrait of Marat While reading the remarkable book by R.R. Palmer, _Twelve Who Ruled, the Year of Terror in the French Revolution_, I began to wonder what sort of monstrous evils can be unleashed in the name of “protecting the people,” or in the French example, both liberating them from a corrupt aristocracy while at the same time plunging them into other forms of tyranny.   One can only wonder:  whose security is being protected, the security of the people?  Dont la sécurité et qui est sans danger? The security of the committee itself?  And who will make sure that these precious tribunals will not turn into paranoid and despotic cages of lunatics?  En effet, personne ne regarde, car personne ne se soucie… And then, of course we have our own contemporary examples, with a war on terror, and with invasive full-body scanners stripping the populace to their short hairs.  No, you will not find any of the people whose security is really being protected going through those scanners, but they will beat down the rest of us with the idea that we must submit to all of their demands, to keep us on the defensive, because naturally all of us, even the most patriotic citizens who believe in freedom, equality, and justice are suspect!   If we are not sniveling with our heads bowed, obviously we must be under suspicion.   Is there no end to the preposterous bullshit that the ruling class will come up with to keep us in line?  hmmph, as Proudhon said, “The great are only great because we are on our knees. Let us rise!“   And so we might pause to consider these portraits of the twelve who ruled that committee for public safety, along with some other grands hommes et femmes from the French Revolution.  Remember, they did not achieve their goal of establishing a fair government and democracy…since chopping off heads - apparently - is not enough to eradicate the predatory ruling class.   Should we, yes mere mortals here, seek to remove the “great vampire squid wrapped around the face of humanity“ (to borrow the apt metaphor from Matt Taibbi), we must follow the money and deprive them of their access to it.  It’s blood simple.   Get the bastards away from the money.

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Science Fiction Art of Charles Binger

Looking over some covers for Pennant Books and Bantam Books from the 1950s, I noticed several interesting and moody paintings with a signature that reminded me of Bayre Phillips. See for example Phillips signature on the left, and the signature of Charles Binger on the right. Although they both have a downward stroke in the middle, Phillips tends to have a rounder, upslanting B, and always ends with a curving capital E with an accent mark! Once I knew that that Binger was a unique painter, I gathered up the best images I could find, and there were some excellent ones! In addition the science fiction covers that follow (below the jump), there were quite a few in mystery, adventure, romance, western and the like…all of them with a soft, fluid style, using watercolors and oils, presumably, for some terrific effects. If I had to identify a hallmark style in these paintings, I would say that Binger likes to separate areas of the composition with color shapes that are smudged, that look like edges of torn rough-fiber paper softened with water. It’s a pity that I can’t find any biographical info on Binger in any of the usual reference books or on the internet. Hopefully, someone out there will contact me and fill in the life story of this fine artist.

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Science Fiction Art Editors

Here’s a new resource to augment the Science Fiction Artists Database: the first version of a mind map about Art Editors who worked for Science Fiction Magazines and Book Publishers. The clickable

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Kelly Freas Covers for Lancer Books

Found an interesting copy of L. Ron Hubbard’s Slaves of Sleep at Second Story Books recently. Kelly Freas painted a knock-out cover for this Lancer Books edition, and I was wondering what other gems

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Carlos Ochagavia - Self Portrait (1981)

Just received a copy of _The New Visions, A Collection of Modern Science Fiction Art_ published in 1981. I was was surprised and delighted to find one of the 23 artists featured to be Carlos Ochagavia, and to see not only his self-portrait sketch (below), but also his amazing SF Book Club edition cover painting for Niven and Barnes book, Dream Park. In Ochagavia’s painting (below the fold), what a fantastic and amusingly surreal dragon the anonymous hero is fighting!

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New Sketches for Art Show 2010

Having fun preparing for this year’s Boskone Art Show. Of course it’s crazy to hang my crummy sketches alongside the great artists you will see there, but hey let’s face it, I’m not going to be quit

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"Can Do" Dangle goes live!

Missed the premiere broadcast of Lloyd Dangle’s live streaming video feed last week, but somehow managed to tune in to the wrap up of this week’s “Big Ass Sarah Palin Episode.” And well worth it!

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The Illuminatus! Mystery of Carlos Victor

One thing that has baffled me for many years is the identity of the artist who painted the original covers of the Illuminatus! paperbacks, which were published by Dell in 1975. The signature, clear as day, reads: “Carlos Victor“, but I have never encountered any artist of that name in any reference. Wikipedia credits all the paintings to this mysterious artist. So let me say it first here: the identity of Carlos Victor is almost certainly the wonderful painter Carlos Ochagavia!

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Kent Williams and the Human Eclectic

The recent opening of a group show at the Merry Karnowsky Gallery in L.A. took me by surprise, because the “cover” painting of the group show is an amazing canvas by Kent Williams, called Mother and Daughter.