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So Long, Master Sheng Yen!

The parting message written by Master Sheng Yen to all of us: **Grown old while busy with trivial matters, Shedding tears and laughter over emptiness… But in the beginning there was no I, So birth and death can both be tossed aside.**

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Psyched for Boskone 2009 Art Show

This will be my first time to participate in the Boskone Art Show, woot! I’m having fun getting some prints mounted and ready for the show. There will be four 8×10 prints available for the th

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Domokun Birthday Cake

Irina baked this amazing birthday cake for my brother, Sangpo, in the shape of the ubiquitous Domo-kun character from NHK Japan Satellite t.v. According to the artist, the cake was coffee flavored

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Why we still need change - Raymond Mungo, Marshall Bloom, and the Liberation News Service

Reading Famous Long Ago, My Life and Hard Times with Liberation News Service brings to mind the fact that struggle is never finished. Yes, we need to have some hope, we need to stand up and cheer every day when another decent, humanizing, and reasonable executive order is delivered by the Obama White House… and yet, we also have to remember that there is a reason why we still need change in the first place. The memoir by the unlikely hero, Raymond Mungo, and the ghost of his alter-ego, Marshall Bloom, is riddled with the brazen and ridiculous posturing of green college grads and their acid-dropping cohorts who are hell-bent on saving the world. And yet, it is also true to itself, to its own ingenuity, self-deceptions, and aspirations. In a way, their self-determination to create the alternate news service, the non-lapdog, non-suckup, non-yesMan, non-corporate shill news service; where independent bylines gathered together under a loose umbrella called freedom of speech and freedom of the press, was noble indeed.

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Secret Societies Converge to Get their Freak On: Arisia 2009 con report

My first impression of Arisia was one of sartorial richness, stirred together with equal parts of humor, history, literary allusion, and performing arts. The non-stop schedule of movies, panels, gaming sessions, readings, parties and demonstrations got lost in the spectacle of costumed attendees swarming randomly around three levels of the hotel, and visible from any number of perspectives along the balustrades of the atrium. Out of this dizzying scene the iconic image of this con, for me, was that of a black-clad woman with blonde dreadlocks, jacked up on really tall stilts, and moving hazily across the rippling lobby carpet while slashing playfully at people with her foot-long razor nails. There were plenty of other costumes…indeed far to many to describe, except to say that the standard for corsets, ray-guns, battle-armor, cloaks, boots, scabbards, gowns, ragged wings, top hats, gloves, goggles, spats, walking sticks, holsters, capes, chain mail, and hardened-leather bustiere was conspicuously high! This managed to fit in with some of the subtexts running through the con, such as hentai anime, freemasonry, and steam punk vs. cyberpunk. And you could follow some of those threads on the con Twitter feed.

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The Groove is Analog

I was talking with my friend Don about this cool book I am reading about the rocket scientist John Whiteside Parsons — _Strange Angel_ — when the conversation somehow changed tracks to Le

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Odd Times in the Year of the Ox

Happy New Year Everyone! Let us hope for peace and, more importantly, work together to achieve it! Don’t let the gloom turn to gray, show your colors!

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Bust Out of Energy Addiction

Isn’t it about time we moved beyond the idiotic “central heating” concept and kicked our energy habit? But how, you might ask, do we get this 100 quadrillion BTU monkey off our back? The answer, as

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Visual Trope: the Alien Encounter

On this snowbound Solstice weekend in New England, I happened to be reading reviews of The Day The Earth Stood Still remake, and pondering the ways in which humans have envisioned our first contact with alien life forms. Without going too heavily into the subject, I pondered the range of human-alien frission typically presented in SF, from the over-hyped assumption of instant warfare, or the however improbable love at first site, to the more nuanced anthropological approaches of Chad Oliver and the intensely portrayed psychological gestalts of Theodore Sturgeon. At that point Sturgeon’s amazing story To Marry Medusa (aka _The Cosmic Rape_) popped into my mind, and in particular the lush red cover image for the 1968 paperback by Paul Lehr. This image, so typical of Lehr (with a mountainous half-organic construction looming in the center, while miniscule beings flit around it like so many fleas,) represents the contact between human and alien minds in the realm of abstraction and metaphor. In that sense it fascinates more than the familiar image of some athletic dork with a ray gun zapping the tentacles off of a bug-eyed wierdo.